Compression isn’t just for keeping the loud parts at bay, it’s also great for pushing up the quieter parts. If that’s the case then it’s time to pull out the compressor to tame those dynamics. Especially if the vocalist is very dynamic and sings both loud and soft parts. Use Compression for ConsistencyĬertain phrases of the vocal tend to get buried in the arrangement.

Then use a parametric EQ to cut the low-mids somewhere from 150 – 250 Hz until it seems to sit better. Start by cutting the very lows with a filter up to 100 Hz. You might not necessarily hear the low-end in the vocal but the presence of the low frequencies make the vocal feel glued on top of the frequency spectrum. Sometimes the vocal sounds on top of an arrangement because it doesn’t sit well in the low-end.

If that’s something you’re dealing with then I have some suggestions on how to fix it. Making the vocals consistently cut through the mix without feeling glued on top of the arrangement seems to be a common problem for home studio producers.

Best way to mix vocals in fl studio